Carreño appeared at City Hall in Cambridge, MA. She performed the works of Gottschalk, Rosellen, Prudent, Godefroid, Thalberg, and Beethoven, as well as one of her own compositions. Tickets cost $0.50 or $0.25 for students. Concert began at 7 pm.…
On March 25, 1863 Carreño arrived in Havana, Cuba with her parents. The following day she gave a private concert in the Cerro district of Havana. She performed works by Chopin and her several of her own (unidentified) compositions.
Prior to her first public concert, Carreño gave a private concert at the Hotel Inglaterra to a group of distinguished guests. Her first public appearance took place immediately after Holy Week on April 8, 1863.
Carreño made her debut at el Liceo de la Habana. She performed a Nocturne (Döhler, Theodor), Capriccio Brillante, op. 22 (Mendelssohn, Felix) accompanied by a quintet, and The Last Hope, op. 16 (Gottschalk, Louis M.), her own Saludo a Cuba and…
Carreño appeared in Havana at the Teatro Tacón. According to biographer, Marta Milinowski, she performed Nocturne in E-flat major (Chopin, Fryderyk), Fantasia (4-hd) (Pixis, Johann Peter), Jota de los Toreros (Yradier, Sebastian) with her father, and…
Carreño received an invitation from President Lincoln to perform at the White House. According to an interview she gave in 1911, she performed Marche de Nuit, Last Hope, Dying Poet (Gottschalk, Louis M.), and Listen to the Mocking Bird (Winner,…
Carreño performed in a Tenth Birthday Concert (with B.J. Lang who introduced the newly acquired organ) in Boston's Music Hall. She performed Marche de Nuit (Gottschalk, Louis M.), Paraphrase de concert sur Rigoletto, S.434 (Liszt, Franz), Grand…
Carreño was scheduled to give a Second Grand Concert at the Boston Music Hall with several artists, including Miss J. E. Houston, Mr. Lyman W. Wheeler, and Mr. H. Daum. This concert was cancelled due to an injury she sustained to one of her fingers.…